Anna Akhmatova, Russian women poet, won an international recognition even before the First World War, as if fate itself was chosen to test unconscious and simply inherited from the past of its contemporaries, the system of values first under the influence of the wave of enthusiasm which swept over the masses in anticipation of the coming of the communist paradise, and then in a mad repressive regime – the Stalinist totalitarian state. Like some other poets of her generation, Anna Akhmatova found herself in a position where writing poems jeopardize its very existence. Issues at other times are only a topic for intellectual thought, became matters of life and death. Or not to write – and then another solution is equally could have for her or, worse, to her son’’s imprisonment and death, as has already become a fact of private life in a political act. The fact that, contrary to all logic, the poet came to understand that at this time, he has no choice – he must continue to ply their trade, even against their will, and that is the greatest test is yet again confirmed the life-saving effect of the poetic word, can serve as a response to those who questioned the role of literature. Circumstances of Akhmatova’’s personal life had prepared her to perform this task. She soon had to make sure that, even sacrificing his poetic gift, it still will not be what it was – an ordinary woman. Only at the end of life, it is ordained and has taken the tragic role, which opened to her in childhood, was able to devote Ahmatova simple daily joys of family relations, which finds itself most of the Russian women. Deep spiritual communion, inaccessible to many people, easily made her, like all unusual, which is not the everyday. Her marriage was unhappy, and the relationship with his son and stepdaughter is very complicated. When Akhmatova established a simple, human relationship with her granddaughter Anya Kaminski and her friend Russian women Nina Olszewski, she is very valued by this. It was important to know that finally did and it can become not only a shrewd and good Russian women, but just his grandmother and girlfriend. But the right to be not only to those whom she was by nature, Akhmatova acquired wholly surrendering its main purpose – the poet. And the recognition of its role after the collapse of privacy meant that later, when she came under attack, she did not need to ask ourselves about the motives of his work and discover the truth, that poetry was their only true source of strength. In this and its weakness, because poetry was her only way of life, but at the same time and strength, because it found its true expression. From the outset, Akhmatova felt the need to express the female perspective on the world in such a historical-cultural environment where women voices, but already discernible sounded rarely and barely audible, and where women are still present in the delusion that in order to be equal to men, to be like them. Deeply devout, yet passionate woman, does not break with his essence, Akhmatova could not agree with the false doctrine, in which physical attraction opposed to God’’s plan. She rejected such an attitude to her sex, which divided the women in the “clean” and “fallen” and caused so much suffering in the past century.

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